台灣粉鳥三部曲 II Taiwan Pigeon Trilogy

限量500本

內容簡介

不斷重複訓練的鴿子，與我，就像薛西弗斯式的。這些作品透過微細歷史事件的提示、鴿子身體徒勞的對價來抵抗當下所處的生活環境。

The pigeons, and me that underwent repeated training as if they were Sisyphus . These works through the hints of nuanced historical details, the futile resistance of pigeons against their then living environment.

− 李立中 Lee Li-Chung

台灣粉鳥三部曲 Taiwan Pigeon Trilogy

我迷戀著賽鴿歸巢的本能，近年來自溺於台灣常見卻神秘低調的賽鴿文化，因深感賽鴿運動在台灣文化研究與歷史脈絡上嚴重的缺席，也欠缺一部完整的賽鴿史記錄，導致普遍大眾對賽鴿運動負面印象的誤解，但抬頭又到處可見翱翔天際的賽鴿。於是我計劃利用幾年時間，透過幾件敘事作品來書寫一部台灣賽鴿史，同時也是台灣近代史。填補賽鴿運動在常民文化上的位置，目前作品計畫定調為「台灣粉鳥三部曲」。

作者簡介

李立中，六年九班台南人，文化大學印刷系畢業，曾在台北從事雜誌編輯，2012年辭掉工作搬回台南。近年來迷戀賽鴿歸巢本能，欲透過賽鴿文化研究，對歸屬、宿命、後全球化等議題建構自我對話路徑，並計劃透過幾件敘事作品來書寫一部台灣賽鴿史，同時也是台灣近代史，2019年作品「竹篙山戰役與紅腳笭」獲台新獎提名與高雄獎優選，2020年作品「台灣空戰記事」於國立台灣美術館台灣雙年展展出。

Born in 1980 in Tainan, Li-Chung Lee graduated from the Department of Information and Communication, Chinese Culture University, and worked as a magazine editor in Taipei. LEE moved back to Tainan after he quit the job in 2012. In recent year, LEE has been captivated by the homing instinct of racing pigeons, and hoped to construct a path of self-conversation through research on the culture of pigeon racing, targeting issues such as sense of belonging, destiny, and post-globalization. LEE also plans to write a history of Taiwan’s pigeon racing, which is also Taiwan’s modern history, through a number of narrative works. 2019 work, “Battle of Mt. Zhugao and Red Feet Ling”, was nominated for Taishin Awards and selected to Kaohsiung Awards. 2020 work, “The memo of Formosa Air Battle”, was exhibited at the National Taiwan Museum of Fine Arts, Taiwan Biennial.

256頁，12×9公分